There are very few artists whom I’ve addressed directly on this blog in an “open letter” — I believe Laurie Berkner and Dan Zanes are the only two (although that Dan Zanes entry isn’t so much an open letter as a shout-out). My latest open letter is a “Dear Johns” letter — for John Flansburg and John Linnell of They Might Be Giants.
**************************************************************************
Dear John and John,
You probably get tired of having adjectives like “quirky” and “clever” applied to your music. I can totally relate. My brother used to refer to my husband and me (back in our starving artist days) as “avant garde” and try to associate us with other things he considered “avant garde” – including a mixed drink he discovered at some holiday party. So I will try not to use those adjectives in discussing your new kids’ album, Here Come the 123s. Instead, I’ll call it crazy-fun, mind-blowing, and possibly — in some cases – too hip for the room.

You probably know me only as some anonymous mom somewhere with a laptop and too much time on her hands. Some “Brenda in a bathrobe” type who rarely leaves her house and likes to mouth off about things she really doesn’t understand. Someone your publicist may have told you could provide a valuable (and timely - not so much!) soundbite about your new(ish) CD/DVD, Here Come the 123s. Well, at one time, I did have too much time on my hands. And I do have a laptop. But I never wear a bathrobe after 8 am, I have a fairly sturdy grasp on music (kids’ music in particular), and I’m terrible at soundbites.
It’s possible that you know me better as the crazy stalker-like woman in the kiddie mosh pit at your July 2005 concert in Cleveland.

The one in the braids and the pink shirt who couldn’t take her eyes off of your accordion (Linnell) or your guitar (Flans). The one who lifted her shirt (to feed her 4-month-old) in the middle of your first set. The one who nearly ran up on the stage to dance when hearing you open with ”Alphabet of Nations” and who enthusiastically demonstrated that she knew all the lyrics to “Go, Go, Go, Go for G.” That was me. Hello, it’s nice to see you again.
Getting a promo copy of Here Come the 123s was one of the most exciting musical happenings in my life since hearing the first chords of “Alphabet of Nations” at your live show in 2005. (Don’t get out much? Yes, that’s me, too.) So it’s taken me some time to listen critically and not like a fan-girl (fan-mom?), and to formulate some intelligent opinions about this album. Here they are.
John and John, you had me at Here Come…
This album could have been Here Come the State Capitols. Or Here Come the Mysteries of the Rosary. Or Here Comes the Bill of Rights. Or Here Come Fifty Ways to Leave Your Lover. (Stop me. Please.) Or Here Come the Seven Habits of Highly Effective People. (Okay, admit it. That was worth just one more, right? And Johns, I want a cut of any of those albums that you end up writing.)
Regardless of the focus or theme of this latest kids’ album of yours, it was bound to be brilliant. Because writing within fairly rigid boundaries seems to be a strength of yours, whether it’s the 123s, the ABCs or State Songs. And on top of focusing on numbers, you created several challenges for yourselves within that theme — like “let’s write a disco song” and “let’s write a bubble gum pop song.”
Here Come the 123s has been in heavy minivan rotation here since it arrived back in January. Fourteen of the tracks are about individual numbers (zero through 12, sort of — you do the math), but some of the best material on the album comes in the next six tracks, with songs like “813 Mile Car Trip” and “I Can Add.” (And by the way, was the verse in Spanish, prefaced by the line “I don’t even know Spanish, but I’m going to sing it in Spanish now!” by any chance a nod to Dan Zanes? Because if so, HILARIOUS! And if not, well, I’m thinking way too hard about these things.)
Of the zero-to-twelve songs, “One Dozen Monkeys” is remarkable both for the catchy counterpoint between the bass and vocal lines and for the outstanding vocals of 12-year-old Hannah Levine; and “Seven” stands out as signature TMBG kids writing.
There are dozens of songs out there I could play or sing for my kids to teach them to count, but very few to teach them about infinity, nonagons, or concepts like the omniverse. It’s possible that some parents might learn as much from this album as their kids, or that some of the ideas and images here might be over the heads of parents (although right on target for a five-year-old). But it’s also possible that I’m a bit of an elitist and don’t give other parents enough credit.
Just as I smile at the idea of a politically conservative family bringing home a Dan Zanes album after seeing a couple of his songs on the Disney channel (because if it’s Disney, it must be good!) and hearing songs celebrating immigration and the labor movement, I also smile as I imagine parents completely lacking in musical taste bringing home a copy of Here Come the 123s (because it’s educational! and it’s Disney!) without having any idea about the music. Blowing parents’ minds while teaching kids to count - that’s subversion at its best.
Lastly, my three-year-old thanks you for the inclusion of the super-awesome extended version of ”Hot Dog” and the “Mickey Mouse Clubhouse Theme”.
John and John, you guys rock.
Very truly yours,
Mrs. Davis